On 16 January 2018, more than five months after the man who murdered and dismembered journalist Kim Wall’s body was arrested, authorities were finally able to charge him.
In a case that had become known around the world as the “submarine murder”, that charge was the result of a painstaking, dogged investigation by police in Denmark.
Officers knew from the start they had the right suspect but faced a near impossible task to find what they hoped would provide the grim proof – Ms Wall’s body parts sunken somewhere at the bottom of the waters of the Koge Bay.
After boarding the homemade submarine UC3 Nautilus on the evening of 10 August the previous year, the 30-year-old Swedish journalist, who had gone to the vessel to interview its owner, was never seen alive again. At 11am on 11 August, the sub foundered and its creator was rescued at sea, alone.
The details of what happened next have been well documented, with the case making international headlines almost immediately. But those headlines told one side of the story, with many focusing on the “eccentric” killer and his background: what had driven him to such a gruesome crime?
Now, in a gripping account of the police’s Herculean efforts to get a conviction, the other side is being told in new drama, The Investigation. The series is written and directed by Tobias Lindholm, one of the co-creators of the critically acclaimed Danish drama Borgen and who more recently worked on FBI criminal psychology drama Mindhunter.
“The case was covered widely in both local and international press and the coverage focused a lot on the fascination or the scare or the thrill of the crime that slowly showed itself,” Lindholm tells Sky News.
“What had happened out there? And it became like a – at least locally, but in some international media as well – kind of an obsession with this crime and with the perpetrator, since he had some sort of interesting background story and since it happened in a homebuilt submarine. I mean, there was a lot of elements that were easy to be fascinated by. So we were, all of us, fascinated.”
Lindholm says his thoughts about the case were consumed by how Ms Wall’s loved ones – her parents, the boyfriend she had been due to move to China with just days after her murder – must be feeling seeing the non-stop coverage. “Why are we so obsessed with this terrible, gruesome act?”
In an unrelated meeting with Jens Moller, then head of homicide for Copenhagen police, he learned what had gone on behind the scenes; the meticulous investigation by detectives and prosecutors, the physically draining work of the divers who spent months searching the dark seabed in freezing temperatures; the cadaver dogs from Sweden and scientists analysing currents and wind speeds and directions, who eventually were able to successfully pinpoint the best locations to search.
Meeting Mr Moller gave Lindholm “a very different story”, he says. “A story about human sacrifice, a story about people who put their own life on pause to solve this case, a story about friendship and grief and victory and all these elements that were never even touched in the press.
“And then Jens told me one thing that became very key: he told me that he had never interrogated the perpetrator himself. He had other investigators to do that and then he will analyse the answers, come up with new questions, but never go in there, into the room. And with him saying that I realised that I could make not a true crime show, but a show we could call true investigation.”
So The Investigation, a six-part BBC2 series with a generic title – “we probably could have come up with more fascinating titles, that would point more directly to the crime, but I liked the idea that we would just… be very dry about it” – does not feature Ms Wall’s murderer at all.
He never appears on screen, his name is never uttered, there is no time devoted to his account of what happened, which changed constantly in the months following his arrest. First, he had dropped the journalist off on land unharmed, then she had died accidentally, later he admitted dismembering her but not to killing her. However, we only hear this in the series from the police.
In an era where true crime shows dominate TV schedules, with much debate about the airtime focused on killers and their depravity, and failure to give victims a voice, it is a novel but no less watchable or compelling approach. Despite taking place in the waterway separating Denmark and Sweden, reminiscent of thriller series The Bridge, Scandi noir it is not.
The series starts pretty much “when the case lands on Jens Moller’s table”, Lindholm says. “And by making that decision and by not using flashbacks, I would liberate myself from all of that… with the decision of never meeting, never hearing and never mentioning the perpetrator, but only letting him be a source of confusion in the investigation.
“That’s three decisions that already by just making [them], I would liberate myself from the burden of genre convention.”
Mr Moller is played by Soren Malling, who also starred in another Scandi noir favourite, The Killing. He is the hero of the piece, albeit with no fuss or sensation, just a portrayal of a determined, efficient officer who gets the job done, even when the search seemed futile.
“We won’t be able to say what would have happened, if…” says Lindholm. “But I do believe that Jens Moller’s stubbornness and his honesty and his pledge towards [Ms Wall’s parents] Ingrid and Joachim made him just continue, even though a lot of people would have stopped or at least would have started to use very fewer resources on this.
“The divers’ efforts… it’s just amazing. And if you look at the area that they cover, and if you understand that it’s dark, you can only see one metre in front of you and there you are on the bottom of the ocean, going 100 metres in that direction, then 100 metres back, then a new square to dive, then a new route. It’s just incredible. So, yeah, their work was second to none.”
The Investigation has, perhaps unusually, been made with the full backing of Ingrid and Joachim Wall. Lindholm had “not written a word” before meeting them and they were “part of the whole development”, not having complete control but reading scripts and suggesting changes when scenes weren’t quite right. Their real dog, Iso, even plays himself in the show, and they were behind the scenes for his days on set.
Their support is testament to how sensitively and truthfully they feel the story has been told, especially as it comes so soon after Ms Wall’s death. Lindholm says there was no question of making the series without their blessing.
“I felt that the story Jens told me needed to be told right now, because we needed to be reminded of the quality of collective strength,” he says. “I feel that our time is full of break-ups and chaos and a culture that is more and more focused on the one person’s achievement.
“This case, with the details that Jens gave me… proved a world that is actually working. It proved a society that works, it proved the system does work, it proves that if we stand together, if people do their best, if we believe in society, if we believe in playing our part in society, we can succeed. And that would not have been as interesting to tell 10 years from now, because then it would have been a reflection on the world of yesterday. I needed it to be a reflection on the world today…
“Had I done a show about the perpetrator and had we done a story about the crime and being fascinated with it, I would say it’s way too soon. But had we done this show 10 years from now, I would say it was way too late. So in this case, by making it about the investigation in our time, proving and showing people a story that they didn’t know, a story that proved that our police officers, that our divers, that our system works, made it relevant and necessary to tell.
“That was the conversation I had with Ingrid and Joachim the first time I met them. They totally agree. Their reason to be in this is because they’re so grateful that all these people, you know, put their own life on pause and went out and actually [made] a difference. And hopefully the show shows how difficult it was. A difficulty and a battle that we don’t really know exists, but it did.”
In one scene, Ingrid Wall, played by Pernilla August (Star Wars) is comforted by neighbours who bring flowers to her door.
“I had done another scene where [Ingrid] would go to the supermarket and everybody would look away, because I had an idea about Scandinavian society being cold and people not knowing how to reach out and be brave enough to touch each other,” says Lindholm. “I imagine the scene where she felt isolated, going out to a community and suddenly everybody looked away because they were scared that they would say the wrong thing…
“I sent that screenplay to them and Ingrid called me and said, ‘We like it, but you got something wrong. We never felt isolated. We only felt to be embraced and felt the love, the support, the help from our local community’.”
The script was changed. “As soon as I had written it, I could definitely see that it made more sense. I just didn’t have that idea, that was all Ingrid being honest. So they had helped me a lot.”
Following their daughter’s death, the Walls, also journalists themselves, set up the Kim Wall Memorial Fund awarding grants to young female journalists; the legacy of her work which often told the stories of those who weren’t able to do so themselves.
A heart-shaped memorial, created from stones and pebbles on the beach, also features in the series. “I wanted to recreate one on another beach and Ingrid insisted that we would film that one, because she wanted the people who had done it back then to understand how much it meant to them.”
Lindholm is still in contact with the couple daily, he says. “I think Ingrid and Joachim enjoyed coming to set and then feeling, seeing it and understanding how serious we were about their story. They felt comfortable about that.”
It seems crass to talk about spoilers in a story such as this but, without giving too much away, there is a speech given by Ingrid Wall at the end of the series. The couple were on set to see August deliver it.
“I wrote that together with Ingrid,” says Lindholm. “I asked her, what do you want… If you could get the last word in this whole story, in this whole media circus, what do you want to say?”
“When we shot that scene, I had Ingrid and Joachim by my monitor… that was kind of an interesting and, for me, emotionally challenging experience. But I think that Ingrid and Joachim were probably the coolest of us all. They are very realistic, and very aware of the choices they make, and they are very responsible to watch each other. I never felt them struggling on set.
“I definitely felt that once in a while, while we were writing and while I was, not interviewing, but talking to them about different ways and the whole preparation, I could feel that we needed to go through a conversation that wasn’t nice to have, but it was never an emotional, brutal experience at all. They are very strong and they’re very realistic about their own situation.”
It must be strange and difficult to see your real life portrayed as a drama on screen, especially under such unthinkable circumstances. But the Walls feel proud, says Lindholm. Proud of their daughter, whose award-winning investigative journalism is highlighted in the show, and proud that those involved in bringing her killer to justice are now being celebrated.
“They feel that it is what it should be, a celebration of the unsung heroes, the ones that helped them through the darkness, the ones that brought their daughter back home, the ones that, you know, without getting rich or getting famous off it, just did a tremendous job to help them,” says Lindholm.
“I believe Joachim said to me that he felt it was very close to a documentary in the sense of how realistic and how precise it is in the descriptions.
“Remember, it’s not a story about Kim, it’s not a story about Ingrid and Joachim, it’s a story about Ingrid and Joachim’s life when it crosses the investigation. But they, together with Jens and [prosecutor] Jakob Buch-Jepsen, who’s played by Pilou [Asbaek, Game Of Thrones], all feel that it’s very honest and very accurate and all feel proud that we did it this way.”
On 25 April 2018, following a trial, Ms Wall’s murderer was found guilty and sentenced to life in prison. Sky News covered the case extensively. For those who didn’t follow it, through Sky News or elsewhere, his name is easy enough to Google. Writing this article about the series raised the question of whether or not his identity, just as in the show, could be ignored when it is clearly so public.
Taking Lindholm’s final thoughts, it was easy to decide.
“I hope that fiction more than anything offers the opportunity to be somebody else for a while,” he says. “In this case, we are given the opportunity to be Jens Moller, to be Ingrid and Joachim. I do believe that… being in their perspective for these six episodes can change our perspective of the world.
“Maybe we realise the responsibility we have as media consumers: what do we click on, how do we treat cases like this, and what are we fascinated by? Hopefully, it can challenge the convention that the killer, almost by nature, is fascinating or interesting. And hopefully it will inspire us to see that together, we can achieve great things.”
The Investigation starts on BBC Two on 22 January and will also be available on iPlayer
COVID-19: ‘Frustration’ as Ireland’s vaccine programme lags behind UK | World News
“It is very frustrating”, admits Dr Laura Malone. “At the moment we don’t have any vaccine.”
Standing in her bright, modern clinic in the centre of the lakeside tourist town of Killarney, Ireland, the GP is palpably keen to start vaccinating her elderly patients against COVID-19 but is still awaiting delivery of the doses.
“We have around 250 patients in the age cohort that we need to vaccinate [over-85s],” she says.
“It’s frustrating, but we also look at that with some degree of hope, because we’re happy that we’ll be able to provide this to our patients. Hopefully the end is in sight.”
She’s not alone. Sky News spoke to all seven GP practices in the picturesque Co Kerry town. Only one, Deenagh Medical Practice, had taken delivery of vaccines and was administering doses. Two more are hoping for their first delivery today, while several others thought they may get vaccines next week, but weren’t sure.
It’s a disjointed picture. One practice staff member, who didn’t want to be named, said she couldn’t understand why there was such little information given to them about vaccine delivery.
Another GP, Dr Gary Stack of Park Medical, also uses the word “frustration”, and says communications with the various practices could have been better. He expects his first delivery next Tuesday, more than two weeks after the Irish government announced the start of GP-led vaccinations.
The Health Service Executive (HSE) told Sky News: “We are delivering vaccines to GP practices according to the level of supply being delivered to the country. We understand that GPs and their patients are eager to receive the vaccine. We are working to control and stagger the delivery of vaccines in line with this level of supply.”
But it’s the supply that’s the problem for Ireland, like many EU member states. Around 4.5% of the population have received at least a first dose, a rate lagging far behind its nearest neighbour the UK.
That means the Dublin government had little choice this week but to extend the strict Level 5 lockdown until 5 April at the earliest, with no dates given for the reopening of retail or hospitality.
In Killarney, one restaurateur has grabbed headlines by boldly announcing he will reopen on 1 July “no matter what government restrictions might exist”.
“I’m prepared to be arrested,” says Paul Treyvaud, standing outside his eponymous restaurant on High Street. “It’s a wake-up call for the government to turn around and say, listen we’ve got to take into account that there’s more going on here than ICU numbers and cases.
“If restaurants and businesses here in Killarney and right around rural Ireland aren’t open by this summer, we’re going to have a major problem coming down the line.”
“We’re putting out a fire by looking at COVID,” he says, “but we’re not realising there’s a volcano behind us burning everything down.”
The frustration at the lengthy and uncertain lockdown is acute among Killarney’s young people. Damien Switzer, 18, is a typical example. Studying a third-level course from home and denied the normal college experience, he can’t see friends that live more than 5km away due to travel restrictions. A keen Gaelic footballer, his team are on hiatus and he must train alone.
On Tuesday he noticed the training pitch at this club, Glenflesk GAA, was completely flooded. He kitted out and jumped into the icy waist-deep water anyway, and the resultant TikTok video went viral.
“Sure, what else would I be doing with the lockdown,” he laughs. “I had to do something to lift the spirits. Not playing sport with my friends can be frustrating alright, but I suppose it’s for the better good though. Once the lockdown’s over we’ll have the summer to play together and train together. But yeah, it can be frustrating.”
That will continue for another six weeks at least, and most likely longer. The Irish government points out that its vaccination rollout is among the most successful within the EU and that it is placing more of an emphasis on both doses being delivered, unlike the UK’s approach.
But Ireland started slowly and is only now picking up pace. In towns like Killarney – fearing a second summer without tourists – there are still too many vaccinators waiting for too few doses. The wait goes on…and so does the lockdown.
Whisky collection sells for almost £6.7m at auction | UK News
One bottle of whisky fetched a whopping £1m at auction as part of an impressive 3,900-strong collection that became the highest-value of its kind.
Containing liquid distilled nearly a century ago, the Macallan 1926 Fine and Rare 60-year-old is one of 14 in the world adorned with the “Fine and Rare” label.
It fetched a six-figure sum by itself in the private collection of 3,900 single malts, which went under the hammer for around £6.7m in total.
Other notable whiskies included the Balvenie 1961 Vintage cask and the Dallas Dhu 1921 Private Cask 64-year-old, which is a historic malt from one of Scotland’s “lost” distilleries.
The incredible array of bottles attracted the attention of 1,557 different bidders from 54 countries on the final day of the online auction.
It became the highest-value private collection ever to sell on the secondary market at an auction dedicated to one single collector’s whisky.
Iain McClune, founder of Whisky Auctioneer, said: “This auction was solely dedicated to one collector’s magnificent library of whisky- a man who was dedicated to building the perfect collection.”
He added that the sale was “one for the record books”, not just for Whisky Auctioneer but also for the whisky industry as a whole.
COVID-19: Germany’s top-selling newspaper admits envy for UK’s vaccine rollout | UK News
Germany’s top-selling newspaper has hailed the UK’s COVID vaccine rollout success and its plans to lift lockdown, announcing on its front page: “Dear British, we envy you.”
It used figures from 21 February showing the UK had given 17.7 million people at least one vaccination, with Germany lagging behind on 3.4 million.
“While the British are already planning their summer vacation, Germany is stuck in lockdown,” the article added.
The chancellor said new variants of COVID-19 meant Germany – which was widely praised for its response to the pandemic during 2020 – must proceed carefully to avoid another nationwide lockdown.
Ms Merkel told the Frankfurter Allgemeine Zeitung: “Because of (variants), we are entering a new phase of the pandemic, from which a third wave may emerge.
“So we must proceed wisely and carefully so that a third wave does not necessitate a new complete shutdown throughout Germany.”
Earlier this week, the German leader called for a staggered plan to lift coronavirus restrictions – to be linked with increased testing.
According to reports, she wants to reopen parts of society in three stages, starting with expanding the number of personal contacts, followed by schools and vocational schools, and thirdly sports groups, restaurants and culture.
Germany has extended restrictions to curb the spread of the coronavirus until 7 March, though elementary schools and nurseries started reopening in 10 German states on Monday and hairdressers are also due to open their doors again next week.
On Monday, Germany reported 4,369 new infections and 62 further deaths – well below the figures still being reported across the UK each day.
According to Johns Hopkins University, which is tracking the pandemic, Germany has reported 2,415,443 cases and 68,931 deaths overall.
COVID-19: ‘Frustration’ as Ireland’s vaccine programme lags behind UK | World News
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